The Haghefilm Foundation operates with the help of instructors and lecturers from the Haghefilm Laboratories, and invited experts from other laboratories, archives, museums, and cultural organizations. All the staff at Cineco are directly or indirectly involved with the training activities of the Foundation; the following list should therefore be regarded only as a general reference. Among the instructors within the staff of Haghefilm are:
Ronald Bosdam (Sound Department)
Digital and analog sound mastering, restoration, and sound recording, including optical sound negatives.
Daniela Currò (Conservation)
Preparation and inspection of archival material. Documentation and comparison of archival prints and negatives. Color timing in preservation. Administration of special preservation projects.
Gerard de Haan (Digital Department)
IT research and development. Film scanning, analog-to-digital workflow in postproduction and digital restoration, postproduction and restoration systems (Nucoda Phoenix, Diamant, Digital Fusion).
Leo Kuyper (Grading)
Color timing of preservation projects. Desmet method, silent cinema conservation, archival printing. Blow-up and reduction printing. Colormaster, projection.
Herman Laman (Chemistry)
Photographic processing solutions. Development process control, sensitometry.
René Orta (Digital Department)
Video systems; Ursa and Marconi telecine systems.
Ulrich Rüdel (Chemistry)
Research manager, film preservation science and technology, color and processing chemistry, sensitometry.
Michiel Slijkerman (Conservation)
Archival projects and collaboration.
Boris Trentelman (Grading)
Color timing (modern productions and color/sound archival productions). Colormaster, projection.
Leen Treuren (Chemistry)
Head, Chemistry Department. Manager, quality control, work safety and environmental compliance. Automatization, processing department.
Dick Troeleman (Digital Department)
Color timing (film), digital grading (film and Nucoda Filmmaster), telecine grading.
Juan Vrijs (Conservation)
Manager, Conservation. Administration and management of conservation facilities and projects. Black-and-white preservation and grading. Printing and duplication techniques in preservation.
Ronald Bosdam (Sound Department)
Digital and analog sound mastering, restoration, and sound recording, including optical sound negatives.
Daniela Currò (Conservation)
Preparation and inspection of archival material. Documentation and comparison of archival prints and negatives. Color timing in preservation. Administration of special preservation projects.
Gerard de Haan (Digital Department)
IT research and development. Film scanning, analog-to-digital workflow in postproduction and digital restoration, postproduction and restoration systems (Nucoda Phoenix, Diamant, Digital Fusion).
Leo Kuyper (Grading)
Color timing of preservation projects. Desmet method, silent cinema conservation, archival printing. Blow-up and reduction printing. Colormaster, projection.
Herman Laman (Chemistry)
Photographic processing solutions. Development process control, sensitometry.
René Orta (Digital Department)
Video systems; Ursa and Marconi telecine systems.
Ulrich Rüdel (Chemistry)
Research manager, film preservation science and technology, color and processing chemistry, sensitometry.
Michiel Slijkerman (Conservation)
Archival projects and collaboration.
Boris Trentelman (Grading)
Color timing (modern productions and color/sound archival productions). Colormaster, projection.
Leen Treuren (Chemistry)
Head, Chemistry Department. Manager, quality control, work safety and environmental compliance. Automatization, processing department.
Dick Troeleman (Digital Department)
Color timing (film), digital grading (film and Nucoda Filmmaster), telecine grading.
Juan Vrijs (Conservation)
Manager, Conservation. Administration and management of conservation facilities and projects. Black-and-white preservation and grading. Printing and duplication techniques in preservation.
AMONG THE TEACHERS AND LECTURERS ARE…